The Oscars season is an unpredictable journey where speculation meets reality, leaving the audience surprised by unexpected nominations and disappointed by surprising snubs. In the 2024 Oscars nominations, the landscape of recognition showcased both shocking exclusions and delightful inclusions.
These are some of the major Snubs and Suprises at 2024 Oscars nominations
Join our WhatsApp ChannelSurprises that Stood Out:
America Ferrera’s Monologue Marvel in “Barbie”:
The spotlight shines on America Ferrera’s exceptional performance in “Barbie,” with a particular nod to her powerful monologue. Greta Gerwig, the film’s director, attributes the emotional depth of the “always/never” speech to Ferrera, highlighting the collaboration between the two artists. The significance of Ferrera’s contribution resonates beyond the screen, addressing themes of self-worth and societal expectations.
Sterling K. Brown’s Supporting Triumph in “American Fiction”:
Sterling K. Brown’s portrayal of Cliff Ellison in “American Fiction” earns him a well-deserved supporting slot. Brown’s ability to infuse subversive energy and relatable pathos into Cord Jefferson’s debut feature has garnered attention, culminating in his first Oscar nomination. The recognition serves as a testament to Brown’s captivating performance and the film’s ensemble excellence.
READ ALSO:2024 Oscar Nominations Predictions: ‘Oppenheimer’ To Receive At Least 10 Nods
Colman Domingo’s nomination for his role in “Rustin”:
Colman Domingo’s Best Actor nomination for his role in “Rustin” marks a significant milestone. Beyond acknowledging Domingo’s outstanding performance, the nomination sheds light on the life of civil rights activist Bayard Rustin, played by an openly gay actor. Domingo’s multifaceted talents, both on and off the screen, contribute to the film’s success, making it a noteworthy surprise of the nominations.
“The Teachers’ Lounge Is in Session”:
Ilker Catak’s compelling film about a German school, depicting its rapid descent into chaos reminiscent of “The Crucible,” secures a well-deserved nomination in the best international film category. “The Teachers’ Lounge” explores a sixth-grade teacher’s struggles with suspicions, defending her students from various fronts. Despite initial lack of attention, the film captivates with its gripping narrative and earns a place among the Oscar nominees.
Shocking Snubs:
Greta Gerwig’s Miss in “Barbie”:
Despite the success of “Barbie” as the highest-grossing film directed by a woman, Greta Gerwig’s directorial prowess goes unnoticed by the Oscars. The absence of nominations in categories such as editing, sound, and best actress for Margot Robbie raises questions about potential biases or perhaps promotional fatigue. However, Ryan Gosling’s supporting nomination and other recognitions salvage some honour for the film.
Leo’s Loss in “Killers of the Flower Moon”:
While “Killers of the Flower Moon” secures nominations in various categories, Leonardo DiCaprio’s absence from the Best Actor category surprises many. The film’s failure to secure a nod for adapted screenplay also stands out, considering the anticipation surrounding Scorsese and Eric Roth’s adaptation. However, DiCaprio’s nomination as a producer offers a silver lining to his Oscar journey.
“Saltburn” Blanket Omission
Emerald Fennell’s biting satire, “Saltburn,” faces a complete omission across the board. Hopes for a best original screenplay nomination, along with expectations for actor Barry Keoghan and supporting actor Jacob Elordi, are dashed. The reasons behind this absence raise questions about the film’s reception among fundamentally sentimental voters and the fierce competition in a stacked year.
“May December”
Todd Haynes’s “May December,” exploring the controversial relationship between Mary Kay Letourneau and Vili Fualaau, encounters discomfort and exclusion. While navigating sensitive subject matter, the film misses expected nominations for Julianne Moore, Natalie Portman, and Charles Melton. The absence prompts reflection on societal perceptions and the challenges of portraying such narratives.
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